Lot 3: LYNETTE YIADOM-BOAKYE, “An Assistance of Amber,” 2017 (oil on linen). | Estimate $100,000-$150,000
THE STUDIO MUSEUM IN HARLEM and Sotheby’s are collaborating on a major sale of works by some of the most prominent and critically recognized artists of African descent working today. Artists including Mark Bradford, Njideka Akunyili Crosby, Sam Gilliam, Glenn Ligon, Chris Ofili and Lorna Simpson, are donating their art to benefit the Studio Museum, which is raising funds to support its new building project.
Titled “Creating Space: Artists for the Studio Museum in Harlem,” the New York auction features a variety of works in terms of mediums and price points. The lots are incorporated into Sotheby’s Contemporary Art sales on May 16-17.
The list of 42 participating artists is diverse, including established, mid-career, and emerging figures. Each of the artists has ties to the Studio Museum either through an exhibition(s), residency, artist prize, job, or internship.
A special digital catalog has been published providing background information about the history of the museum, which was established 50 years ago, the new David Adjaye-designed building expected to open in 2021, and the art being offered. Each lot detail includes the artist’s exhibition history with the Studio Museum, along with standard specifications about the work. Almost all of the works were made in recent years, many in 2017 and 2018.
The contributions are generally representative of each artist’s practice, with welcome departures such as “Bush Babies” (2017) by Akunyili Crosby, a Studio Museum Artist in Residence (2011-12) who won the Harlem institution’s Joyce Alexander Wien Artist Prize in 2015. The prominent figures Akunyili Crosby is known for are absent in the painting. However, another signature feature of her work is present. If you look closely, many figures can be found in the the image. They appear within the magazine pages collaged into the painting.
A 2015-16 artist in residence at the Studio Museum, Jordan Casteel is recognized for her portraits of black men. She contributed “Lost Tribes” (2018), a painting that is a focused detail of a man’s hands holding an open book. Although it is more modest in scale than her portraits, the lot may exceed the estimate given interest in her work is steadily growing and her first major museum exhibition will open early next year.
Other works also stand out. Brooklyn-based Simpson’s “Day for Night” (2018), for example, a four-panel painting, reflects the fresh new direction of her work and carries an estimate that would set an artist record if reached. Simpson won the Wein prize in 2006 and the following year had a solo show at the Studio Museum. CT
The following artists are participating in the benefit auction:
Njideka Akunyili Crosby
Eric N. Mack
Toyin Ojih Odutola
Yinka Shonibare MBE
Hank Willis Thomas
Carrie Mae Weems
WATCH VIDEO about the Studio Museum sale at Sotheby’s
Contemporary Art Evening Auction, May 16
Lot 1: MARK BRADFORD, “Speak, Birdman,” 2018 (mixed media on canvas, 59.5 x 70.5 inches). | Estimate $2,000,000-$3,000,000
Lot 2: JULIE MEHRETU, “Conjured Parts (Dresden),” 2017 (ink and acrylic on canvas, 84 x 96 inches). | Estimate $1,000,000-$1,500,000
Julie Mehretu has a forthcoming retrospective in 2019. The catalog note advises a loan of the above work may be requested for the exhibition at the Los Angeles County Museum of Art and subsequent venues.
Lot 5: NJIDEKA AKUNYILI CROSBY, “Bush Babies,” 2017 (acrylic, transfers, colored pencil and collage on paper, 72 x 60 inches). | Estimate $600,000-$800,000
Contemporary Art Day Auction, May 17
Lot 302: JORDAN CASTEEL, “Lost Tribes,” 2018 (oil on canvas, 24 x 32 inches). | Estimate $15,000-$20,000
Lot 305: ADAM PENDLETON, “Untitled (June 30th),” 2018 (silkscreen ink on Mylar, in 4 parts, each: 38 by 29 inches). | Estimate $40,000-$60,000
Lot 307: ROBERT PRUITT, “Magnificent Medusa,” 2016 (charcoal, pastel and colored pencil on paper, 50 x 38 inches). | Estimate $7,000-$9,000
Lot 313: KORI NEWKIRK, “Pathmark II,” 2018 (aluminum, artificial hair and plastic pony beads, 44 x 36 inches). | Estimate $20,000-$30,000
Lot 314: THEASTER GATES, “Stars Over Harlem,” 2015 (fire hose and wood, 60 x 62 x 8 inches). | Estimate $250,000-$350,000
Lot 315: FRANK BOWLING, “Emerging,” 2014 (acrylic on canvas, 73 1/8 x 32 5/8 in). | Estimate $60,000-$80,000
Lot 320: LORNA SIMPSON, “Day for Night,” 2018 (ink and acrylic on gessoed wood, 4 parts – overall: 67 x 200 inches). | Estimate $250,000-$350,000
Lot 327: DERRICK ADAMS, 2017 (acrylic, pencil and fabric on paper, 50 x 50 inches). | Estimate $20,000-$30,000
Lot 330: GARY SIMMONS, “Goodby Love,” 2017 (mixed media on canvas, 72 x 76 inches). | $50,000-$70,000
Lot 337: LEONARDO DREW, “Number 56X,” 2018 (acrylic, plaster and wood, 24 x 24 x 6 inches). | Estimate $30,000-$50,000
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